My newest work is titled BEAUTY IN CONTEXT. I am photographing in color for the first time in years to explore a fantastic array of unusual plants - including water lilies, lotuses, pitcher plants, gloriosa lilies, passion flowers - with which my husband Robert Peduzzi is experimenting on our farm in Kinderhook, NY. I shoot with a medium format studio camera, scan the film, and print the images digitally on beautiful Hahnemuhle fine art paper. I love the way the rich colors sink into the elegant surface of the paper. These images are printed in two editions of 50; sized 11" x 14" and 16" x 20."
The first exhibition of this work is being shown through October 31st at Art & Chocolate, a new gallery in Lenox, MA offering fine art and imported chocolate. i will also be showing some of my earlier portfolios. Lenox is a delightful town and the gallery, at 4 Housatonic Street, is in a terrific location. Stop by and say hello to owner Diana Bartlett.
PORTRAITS FROM THE GARDEN: AN UNCOMMON VIEW is an intimate exploration of the world within my own garden. These tiny segments of nature express beauty of form and movement, strangeness of shape and juxtaposition. They are portraits of buds not yet flowered, mushrooms underfoot, flowers past their prime, insects that are beautiful and strange, each taking its place upon a rural stage.
My frame of reference is portraiture. I studied with Philippe Halsman, and the principals he taught guide me in this work. What has remained with me from those sessions are his ironclad rules of technique filtered through his subtle wit. I have also long admired the work of August Sander, who long documented the range of middle class people in his native Westerwald. He created a comprehensive study of the enormous variety of individuals living and working in that region of Germany, highlighting individual occupations, and including references to these factors. My goal is to document the diversity of daily life within the context of my garden, remaining as unobtrusive as possible, and at the same time share the sense of life and death, wonder and wit that I find there.
I have now begun to take this vision to a new level by carefully choosing a small group of images from this project and greatly enlarging them. The first of these images, "Poppy/Marilyn," was presented in the exhibit at the North Carolina Museum of Natural Sciences in June-August 2006. The large version is 24" x 36." It looks fabulous and presents an entirely different perspective on this tiny portrait, appearing both realisic and surrealistic.
The darkroom images in this portfolio are archivally printed, by me, in editions of 35. Each image is 5 x 7 inches printed on 8 x 10 paper, split toned dark sepia on matte fiber paper, retaining black elements. Signature and number are on the reverse. These are small, powerful velvety images. The digital image is 24" x 36".
In November 2002, I attended a showcase of modern dance choreography in which the work of Isabel Gotzkowsky clearly stood out as beautiful, thought-provoking and athletically challenging for the dancers. When I discussed Gotzkowsky's work with her after the performance, I became curious about the process of choreographing new work. I attended a number of rehearsals, bringing my camera with me.
Photographing dancers in rehearsal is a formidable task. The rehearsal studios used by small dance companies vary from gritty and industrial to modern and coolly efficient. I became fascinated with reflections in mirrors, the intensity of creation, moments of rest. The constant movement and the ever changing lighting conditions made it particularly challenging for me, but I felt lucky to observe and be part of Isabel's artistry and her ability to involve her dancers in this collaborative process.
My solo exhibit at Williamsburg Art neXus, in October-November 2003, BECOMING DANCE: IMAGES OF A PROCESS, was my impression of that experience. Many of the images from that show are in this web gallery. I am continuing to work with Isabel on this project and add new images to the gallery from time to time.
SHAPING A PRESIDENT: SCULPTING FOR THE ROOSEVELT MEMORIAL (from the book of the same name) took shape over a five year period. I documented sculptor Neil Estern as he sculpted maquettes and larger models in clay, enlarged them at Tallix Art Foundry, and supervised bronze casting to create the full-round statues of FDR, Eleanor and Fala for the Franklin Delano Roosevelt Memorial Park in Washington, DC. At each stage of creation, I was struck by the forceful personae emerging out of inert substances. My challenge was to illustrate the unfolding emotional relationship between the sculptor's artistic intensity and the complex personalities of the President and First Lady emerging from armature and clay. I have hundreds of images in both black & white and color from this project. Only a small sample are in this gallery. Please call or send me an email if you would like to see more.
A trip to the Galapagos Islands in February 2004 was an extraordinary experience for me. These images are now in a temporary gallery that I can activate by request. Several can also be seen on the websites of www.images.com and www.ipnstock.com.
